My 2025 Reading, Part Two: Nonfiction

This may be a first for my annual list of nonfiction favorites, but it’s certainly not surprising. All fifteen of the books listed below, plus a bonus title, were written by women. And all fifteen are about women. Unusual and a bit surprising: I read several memoirs.

In my last post I mentioned that I sometimes forget to log my books on Goodreads, which makes tallying up a year’s worth of reading inexact. I’m leading the 2025 list with my most embarrassing omission from last year because I can’t bear for everyone not to know that it’s one of my favorite works of nonfiction. The rest are listed roughly in the order in which I read them.

1. The Dragon from Chicago: The Untold Story of an American Reporter in Nazi Germany by Pamela D. Toler. This is an excellent and much needed biography of Sigrid Schultz, the Chicago Tribune’s bureau chief and foreign correspondent in Central Europe who warned about the dangers of Adolf Hitler and Nazism. The book received starred reviews from Publishers Weekly and Kirkus Reviews, and it was a finalist for the Los Angeles Times’s 2024 Book Prize in Biography.

2. The Icon and the Idealist: Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America by Stephanie Gorton. A first-rate dual biography of two of the most important birth control activists in United States history. Sanger’s name is the more familiar of the two, but Gorton convincingly demonstrates that Dennett deserves just as much attention. I’ve long been a huge fan of Dennett so was particularly pleased to see her in the limelight. And she’s the subject of an Ogden Nash poem, probably the only verse I know by heart.

I for one
Think the country would be better run,
If Mary Ware Dennett
Explained things to the Senate.

3. The Many Lives of Anne Frank by Ruth Franklin. I first read The Diary of a Young Girl in a grade school English class. Over the years, I’ve read the expanded versions as well as books about Frank, her family, and the people who made the Secret Annex possible. Franklin combines a well-written biography of Anne Frank with investigations into the various forms of the diary, the ways in which it has been dramatized for stage and screen, and how Frank has become a fictional character in the works of other authors. Fascinating all the way through.

4. Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund by Caitlin McGurk. This biography wins Best Title of the Year, at least as far as me and my list are concerned. Who wouldn’t want to hear that story? And McGurk has done a marvelous job of situating artist Shermund in her proper place in the history of American illustrators and cartoonists. I was especially intrigued with Shermund’s work for The New Yorker during its early years, when Jane Grant was still around. The two women probably had a lot in common.

5. After Lives: On Biography and the Mysteries of the Human Heart by Megan Marshall. These essays, by a genius biographer, blend memoir with craft advice. It’s all beautifully written and inspiring.

6. Wifedom: Mrs. Orwell’s Invisible Life by Anna Funder. Wow, wow, wow. An insightful, incisive biography of Eileen O’Shaughnessy, who married George Orwell. Funder shows exactly what O’Shaughnessy contributed to the artistic success of Orwell and explores how and why she was pretty much written out of the biographies of the author. The book has made a huge impact on how I view Jane Grant.

7. Dust and Light: On the Art of Fact in Fiction by Andrea Barrett. I adore Barrett’s fiction, and I loved her take on novelists’ use of history in their (and her own) work. Beautiful.

8. The Trouble of Color: An American Family Memoir by Martha S. Jones. Jones is a brilliant historian, and she has deployed her formidable skills to answer a personal question for herself: “Who do you think you are?” Her search takes her through her family’s history, which included enslavement, as she grapples with the meaning of color in the lives of her ancestors—and herself.  

9. The Last American Road Trip: A Memoir by Sarah Kendzior. A family memoir of a different kind, Kendzior looks at politics and society in America, past and present, through road trips she takes with her family during the pandemic years. I admired the gorgeous writing, the strong sense of place, and the whiffs of nostalgia infused with a bit of hopefulness.

10. Marion Greenwood: Portrait and Self-Portrait—A Biography by Joanne B. Mulcahy. This biography focuses on all the things I’m drawn to in this genre: a once well-known woman, incredibly smart and talented, whose political beliefs led her to live an unconventional life, who somehow disappears from history. Greenwood, a devotee of social realism, painted some of the most stunning murals and portraits in the first half of the twentieth century. Mulcahy, with her usual elegant prose, reminds us why it’s still important to know about her.

11. Birding to Change the World: A Memoir by Trish O’Kane. Originally an investigative journalist, O’Kane switched careers after Hurricane Katrina upended her life. She developed an interest in birds, enrolled in an environmental studies Ph.D. program, and embarked on a social justice campaign to save a local park from over-development. O’Kane’s passion and dedication shine through—for her academic work and love of learning, her community and its people, and the many species of birds she encounters.

12. Foreign Fruit: A Personal History of the Orange by Katie Goh. Goh traces the history of the orange as she untangles the strands of her multi-cultural heritage. She travels from Ireland to China and Malaysia to connect with far flung family members, seeking answers about her identity. The orange, with its own complicated history, gives her grounding and perspective. I liked this unique approach to memoir.

13. The Girl in the Middle: A Recovered History of the American West by Martha A. Sandweiss. The presence of a Native American girl, Sophie Mousseau, in an 1868 photograph taken at Fort Laramie is Sandweiss’s jumping off point for this meticulous work of history about post-Civil War America and westward expansion. It’s a densely packed story, and Sandweiss’s other real-life characters, including photographer Alexander Gardner and Union general William S. Harney, occupy much of the narrative. But Mousseau is a constant, almost haunting presence, at the heart of the story.

14. Sisters of Influence: A Biography of Zina, Amy, and Rose Fay by Andrea Friederici Ross. During the Victorian era, known for its constraints on women’s behavior, these three sisters pushed at the boundaries of those expectations to make names for themselves in music, writing, and domestic reform. It’s an absorbing family biography, and Ross calmly and ably juggles all the different personalities.

15. Joyride: A Memoir by Susan Orlean. I’m a fan of Orlean but not a super fan. I haven’t read everything she’s written but I liked The Library Book and many of her articles. Reading this memoir provides the sense of exhilaration portrayed on the book’s cover. I was fascinated by how Orlean carved out a career as a writer and enjoyed the snippets of her personal life that she included.

Bonus book:

How to Write a Bestseller: An Insider’s Guide to Writing Narrative Nonfiction for General Audiences by Tilar J. Mazzeo. A former academic who has written bestsellers, and Mazzeo provides practical advice to narrative nonfiction writers, especially those who want to move away from scholarly writing. It’s one of the most helpful how-to writing books I’ve read in a long time.

And one final kind of quirky thing about my 2025 reading. In a previous post I wrote about how much I liked Debby Applegate’s Madam: The Biography of Polly Adler, Icon of the Jazz Age, but had to stop reading it because it invaded too much of my head space while I was drafting my book about Jane Grant. Well, that happened again. This time I set aside The Aviator and the Showman: Amelia Earhart, George Putnam, and the Marriage that Made an American Icon, Laurie Gwen Shapiro’s latest book. It’s terrific, but Shapiro’s voice is so strong that the book is now sitting on the shelf next to Madam, where they will stay until I’m much further along with Jane. (At least I didn’t put them in the freezer, which was Joey Tribianni’s solution to troublesome books.)

To all of you who made it this far, thanks for reading. I hope you encounter loads of good books in 2026 that take you on your own joyride.

My 2025 Reading, Part One: Fiction

Welcome to my annual reading round-up, in which I share the books I enjoyed, both fiction (in this post) and nonfiction (in the next post). I read these books in 2025, though they were not necessarily published in that year. Sometimes I don’t get around quickly to ones that I want to read because of lengthy hold lists at the public library. Sometimes I’m interested in a book and know that I’m not in the right mood to read it. So, reasons.

(Woman Reading on a Settee by William Worcester Churchill)

According to Goodreads, where I keep track of such things, I read five more books in 2025 than I did in 2024—up to 56 from 51. I was surprised by the increase because it felt like such a sluggish reading year. And 56 is a likely number. Sometimes I forget to log in what I’ve read. (I already had to edit this number because as I was typing, I remembered another book. And in my next post, the one about nonfiction, I have to admit to a horribly embarrassing omission.) This total also doesn’t account for the books I started and (unfortunately) did not finish. I have no trouble putting a book down. Life is too short to keep reading books that don’t interest me, and I have zero desire to post negative reviews.

So here is my 2025 list, roughly in the order in which I read them.

1. Middlemarch by George Eliot

Definitely not published in 2025! This classic really surprised me: that I finished it and that I enjoyed it so much. I first tried reading Middlemarch back in graduate school when I was looking for something that would transport me from my work. Dorothea Brooke intrigued and irritated me, but Casaubon stopped me cold. Many years later I tried again, with the same result. This time I pushed through, encouraged by an online group read, got interested in all (so, so many) sub-plots, and made it to the end.

2. The Safekeep by Yael van der Wouden

This Dutch novel, set in 1961, is a haunting story of the long reach of World War II’s devastation. Delicate and atmospheric, I was riveted by every page. Isabel is a prickly character, but I had to know what happened to her.

3. The Antidote by Karen Russell

I read a lot of historical fiction, but usually not stories that are infused with magic. Russell sets her novel in Nebraska, which is suffering from dust storms and the Great Depression, and adds to the mix a “Prairie Witch” who stores peoples’ secrets. It all somehow works perfectly.

4. The Impossible Thing by Belinda Bauer

A dual-timeline story that explores the collecting, hoarding, and thieving of rare colored birds’ eggs from Yorkshire. Celie Sheppard is such an unforgettable hero that I found myself quickly invested in the multi-layered consequences of this arcane hobby.

5. Our Evenings by Alan Hollinghurst

I was immediately drawn into the life of Dave Win, who as a boy in the 1960s, gets a scholarship to a boarding school, where he starts to learn to navigate the class, race, and sexuality boundaries of British society.

6. Marble Hall Murders by Anthony Horowitz

I didn’t know anything about Horowitz’s Susan Ryeland mysteries until I watched the dramatized versions on PBS. I was so happy when I found out Horowitz published another one in 2025 that I made sure to get hold of a copy as soon as possible. The very meta nature of the story, a mystery within a mystery, was delightful start to finish.

7. Hamnet by Maggie O’Farrell

One of my guilty literary admissions is that I’m not a fan of Shakespeare’s work. However, I am intrigued by the man and his times. O’Farrell delivers a piercing imagining of the life of Agnes, the unconventional woman who marries William, a young tutor whose desire to write takes him away from his family for months at a time. It falls to Agnes to mind the household and keep the children safe as the plague moves through the community.

8. James by Percival Everett

I have vague memories of trying to read Adventures of Huckleberry Finn and The Adventures of Tom Sawyer when I was young, but I could not muster much interest in the antics of either of the boys. But James had me from the first paragraphs. Everett’s character is flat out fabulous.

9. Life Hacks for a Little Alien by Alice Franklin

Next to Middlemarch, this was the most surprising read of the year for me. I picked it up on a whim from the New Books shelf at the library and was immediately captivated by the little girl who figures out how to get along in a world that doesn’t understand her neurodivergence.

10. A Slowly Dying Cause by Elizabeth George

I was startled to realize that this is Inspector Lynley’s 22nd outing. I haven’t been with George’s long running series since the beginning. I came into it at number 7, Playing for the Ashes, and went back and read them in order until I got caught up again. I continue to find Lynley and Havers fascinating characters, but the ending of this procedural was very unusual.

11. All the Water in the World by Eiren Caffall

In New York City, after a climate disaster has brought about ruinous floods, young Nonie and her family take refuge in the American Museum of Natural History. When another storm threatens their safety, they decide to move on to find a better place—and maybe hope for the future. I don’t usually read dystopian novels, but I’m glad I took a chance on this one.

12. Bad Bad Girl by Gish Jen

I admired how Jen mashed up memoir and fiction to delve into her mother’s life, first in China, then as an immigrant to the U.S. Agnes (as she’s known in her new country) is constantly challenged by her strong-willed daughter Jen, and the two spend decades trying to figure each other out.

Hope you read a lot of good fiction in 2025, too. Have you read any of the ones on my list?

Next up: my nonfiction list.

Happy New Year!

My 2024 Reading, Part Two: Nonfiction

This year’s list of my favorite nonfiction contains two more books than last year. (I gave seven nonfiction books five stars on Good Reads in 2024 and five in 2023.) But like last year, I am also including a bonus section of books that I liked.

Biographies dominated these seven favorites of 2024. (Unlike last year, I read very few memoirs in 2024.) Most of the biographies were about women, though one, a family biography, features both men and women. Another, which also was not a biography (or at least a traditional biography), centers on a man but has a couple of strong female secondary characters. Its author is the only man to appear on this list of seven. Make of this what you will. (Mostly that there are a lot of women’s stories out there to explore and lots of women writers to do so.) Here are the books, roughly in the order in which I read them.

1. Mott Street: A Chinese American Family’s Story of Exclusion and Homecoming by Ava Chin. I remember being totally drawn into this book at the beginning of 2024, as I was getting ready to make my first trip to New York City. It is wonderfully written, with a delicate balance of history and family stories. Chin has produced an emotional yet not overly sentimental family biography.

2. The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by Michael Finkel. I was a bit late to this book mostly because it is not the kind of thing I usually read. But I was convinced by the title and the cover design to pick it up from the library and never regretted the decision. Finkel briskly tells the wild story of Stéphane Bréitwieser, who stole about $2 billion worth of art from various European museums. Then there is the revelation of what happened to some of the pieces. Yikes.

3. The Dress Diary: Secrets From a Victorian Woman’s Wardrobe by Kate Strasdin. Using surviving clothing fragments belonging to Anne Sykes, Strasdin skillfully recreates the world of this nineteenth-century Englishwoman. The author’s expertise as a fashion historian and museum curator really shines through in this creative history.

4. The Silenced Muse: Emily Hale, T.S. Eliot, and the Role of a Lifetime by Sara Fitzgerald. Emily Hale has appeared as a minor character in previous books about the poet Eliot, but Fitzgerald flips the relationship, investigating it from Hale’s perspective. (This does not end well for Eliot’s reputation as a human being.) Hale emerges as a fully formed character with a fascinating life.

5. Portrait of a Woman:Art, Rivalry, and Revolution in the Life of Adélaïde Labille-Guiard by Bridget Quinn. Adélaïde Labille-Guiard was a well-known and well-regarded painter in France during the 1700s, at least up until the French Revolution. Quinn makes good use of the scant information available on the artist’s life to restore her to her proper place in the historical record. And Quinn’s breezy writing style makes this biography a delight to read.

6. The World She Edited: Katharine S. White at The New Yorker by Amy Reading. The long-time fiction editor of The New Yorker magazine, which celebrates its 100th anniversary this year, receives a well-deserved biography that focuses on White’s ability to recognize talented writers and get their work published in the magazine. It is a fascinating portrait of an important literary life.

7. Loving Sylvia Plath: A Reclamation by Emily Van Duyne. Ted Hughes (like T.S. Eliot above) does not come off well in Van Duyne’s trenchant probing of not just Plath’s life, but how others have written about that life. Van Duyne makes a convincing—and haunting—case for Hughes as the ultimate in unreliable narrators. Reclamation, indeed.

Of the two bonus books from my 2024 reading, one is very much in line with most of the favorites listed above. Drew Gilpin Faust’s memoir, Necessary Trouble: Growing Up at Midcentury is an engaging account of the prominent historian’s involvement with the various social and political movements of the 1960s.

The other, Leave While the Party’s Good: The Life and Legacy of Baseball Executive Harry Dalton by Lee Kluck, is a book that anyone who knows me would not believe that I ever picked up. I am not a sports person. I don’t watch games or watch movies or shows about sports. (Well, okay, I did like Bend It Like Beckham and Bull Durham, and I have watched Field of Dreams. But otherwise, no.) (And actually, growing up at 2912, baseball was ubiquitous during the spring and summer. I knew spring had arrived when my mom set up her ironing board in front of the television in the family room so she could watch the Cubs while she ironed. I still know a lot about baseball.)

Lee Kluck was, many years ago, a student of mine, and I followed his writing journey with great interest. He has produced a nicely researched and crisply written biography of an important figure in major league baseball. The University of Nebraska Press, known for its sports series, published his book. So, yay for Lee and for Harry Dalton. If you or anyone you know is into sports biographies, do not miss this one.

That is a wrap on my favorites of 2024. Up next: some thoughts on a very good book I started reading in 2024 but have yet to finish.

May all the books you read in 2025 be good ones.

My 2024 Reading, Part One: Fiction

Welcome to my annual reading round-up, in which I share my favorite books, both fiction (in this post) and nonfiction (in the next post). I prefer to stay away from the term “best” because of how subjective that is. These are the books I enjoyed in 2024, though a few may have been published earlier. Sometimes I don’t get around quickly to ones I want to read because of lengthy hold lists at the public library. Sometimes I’m interested in a book and know I’m not in the right mood to read it. So, reasons.

According to Goodreads, where I keep track of such things, I read five more books in 2024 than I did in 2023—from 46 to 51. (Yet for some reason it seems like I did not read much. I’m not sure why—it may have to do with the time I have been spending on my new book project.)

Of the novels I read in 2024, I marked five with five stars. Because there are so few, I find it impossible to rank them. Instead, these are listed in roughly the chronological order I read them. (Not surprisingly, they are all historical.)

1. The Storm We Made by Vanessa Chan. Set in World War II Malaya, this riveting historical drama depicts the heartbreaking choices people make during an enemy occupation. Cecily Alcantara, a devoted wife and mother, finds herself in increasingly impossible situations.

2. The Wren, the Wren by Anne Enright. Nell McDaragh, granddaughter of a famous Irish poet, and her mother Carmel, the poet’s daughter, both struggle with his legacy. Sensitive and beautifully written.

3. The Vaster Wilds by Lauren Groff. This novel is utterly and admirably void of any romancing of the early years of the English colonization of North America. Propelled by a pervasive sense of dread and entranced by the brutal beauty of the story, I could not stop reading.

4. The Road from Belhaven by Margot Livesey. Character and setting are pitch perfect in this historical drama set in rural Scotland during the nineteenth century. A young woman can see some glimpses of the future but has to figure out what to make of the information.

5. Whale Fall by Elizabeth O’Connor. Just before the beginning of World War II, a young woman living on a small Welsh island is unexpectedly confronted with the opportunity to change the anticipated course of her future. Delicate and lovely.

Additional recommendations (very close to five stars):

Two of my favorite mystery writers published new additions to their long-running series. Jacqueline Winspear drew her excellent Maisie Dobbs series to a close with The Comfort of Ghosts, which provided a satisfying ending. With Pay Dirt, Sara Paretsky delivered another powerful installment of her V.I. Warshawski investigations.

Alice McDermott’s Absolution depicts U.S. involvement in Vietnam in the 1960s from the perspective of white American women living there with their husbands. Very thought-provoking.

The God of the Woods by Liz Moore is a well-crafted mystery that made me glad I never went away to summer camp.

And the biggest surprise of my 2024 reading was Elizabeth Crook’s The Madstone, which I pulled off the library’s Westerns shelf on a whim and got helplessly drawn into the story.

Up next: My favorite nonfiction books of 2024.

My 2023 Reading, Part Two: Nonfiction (Plus a Bonus)

The best narrative nonfiction books I read in 2023 comprise an unusually short list. I think there was something about my reading mood last year that affected my reactions to books. “Best” and “favorite” are subjective, anyway, so I’m sticking to that as an explanation.

All of these books deal with the past, and all but one are biographies. The outlier of the group, though, could be described as a collection of mini-biographies. Here they are, roughly in the order of my admiration.

In Master Slave Husband Wife, Ilyon Woo traces the perilous journey from enslavement to freedom of Ellen and William Craft. The Crafts fled Georgia with Ellen disguised as an invalided white man and William posing as her “servant.” Their life in the “free” North was dangerous because of the Fugitive Slave Law, yet the couple became part of the great abolitionist movement in the years prior to the Civil War. It’s an unforgettable story of moral and physical courage.

Catherine McNeur introduces readers to Margaretta and Elizabeth Morris in the dual biography Mischievous Creatures. The historian makes a convincing case that the largely self-taught sisters, one an entomologist, the other a botanist, made significant contributions to scientific knowledge in the decades before the Civil War. Margaretta and Elizabeth are fascinating women, and McNeur expertly weaves in the science without slowing down the story of the women’s accomplishments and the barriers they faced because of their gender.

Leaning heavily on literary analysis and historical context, David Waldstreicher recreates the life of an eighteenth-century Black poet in The Odyssey of Phillis Wheatley. Kidnapped and enslaved as a child, Wheatley learned how to read and write while living in Boston and began turning out poetry as a teenager. This is a finely detailed story that took me some time to read, but I thought it was wonderful.

I learned a lot about South Africa from Jonny Steinberg’s dual biography, Winnie and Nelson. Steinberg traces apartheid through the lens of the Mandela marriage, focusing on Nelson’s long imprisonment and Winnie’s increasing political influence. It’s a riveting and important book.

Emma Southon’s lively voice adds an extra layer of enjoyment to A Rome of One’s Own, which reveals the history of the Roman empire through the lives of twenty-one mostly-forgotten women. This serves as a nice reminder that there was more to Rome than gladiators and pontificating politicians.

There were also a couple of other books I liked, both biographies. I appreciated learning more about the Queen of Crime in Agatha Christie: An Elusive Woman by Lucy Worsley, and it was interesting to find out about the intrepid twentieth-century journalist Elsie Robinson through Julia Sheeres and Allison Gilbert’s Listen, World!

Now for the bonus: memoirs. Last year, I included them in with the other nonfiction I read, but this time I decided it was more appropriate to give them their own category. While it’s true they are nonfiction, memoirs are very different from the historical, fact-based nonfiction that I usually read.

There are three memoirs I read in 2023 that I keep thinking about.

I’m certainly not the first person to rave about poet Maggie Smith’s You Could Make This Place Beautiful, but I may be among the last to have never run across her poem “Good Bones.” Its last line was turned into the title of her lyrical story of the unraveling of her marriage and her enduring love for her children.

Love for her children is a strong undercurrent in Life B, author and book critic (known in online circles as The Book Maven) Bethanne Patrick’s clear-eyed account of her decades-long struggle with double depression. She hits and maintains a sweet spot of narrative voice that is neither too bleak nor too Pollyanna-ish. I rooted for her all the way through.

Marsha Jacobson rounds out this trio of devoted mothers. In The Wrong Calamity she describes how she survived an abusive marriage, established herself as a successful businesswoman (even earning a Harvard MBA) and as a role model to her daughters, then suffered a shattering disappointment with her second marriage. Like both Smith and Patrick, Jacobson shows restraint in parceling out the gritty, personal details of these relationships, giving readers just what they need but never tipping into a salacious tell-all.

That’s it for my 2023 reading recap. I’m delighted (and slightly relieved) to report that 2024 is off to a blazing start. I could hardly bear to put down Vanessa Chan’s The Storm We Made and Anne Enright’s The Wren, the Wren, plus I’m swiftly moving through Mott Street by Ava Chin.

Up next: some pieces that are more or less connected to my new book project.