Guest Post: Nancy B. Kennedy on Frances Willard

I am happy to welcome author Nancy B. Kennedy to the blog today. We share an interest in the women’s suffrage movement, and Nancy recently published a book for young readers called Women Win the Vote! It focuses on nineteen people involved in the passage of the 19th Amendment, so I thought she would be the perfect person to talk to about other women’s rights supporters of Dr. Mary Walker’s time. Here’s what Nancy had to say:

Would you think it frivolous if I talked about the fashion choices of the American suffragists? Well, a hundred and more years ago, clothing wasn’t a simple matter of personal style and taste. It was serious business that proscribed much about a woman’s life.

My friend Theresa Kaminski has written a book about Dr. Mary Walker, a Civil War surgeon who had a lot to say about clothing. In my book about the suffragists, Women Win the Vote! 19 for the 19th Amendment, I also had occasion to address women’s clothing.

In the time period we write about, women’s clothing was heavy and restrictive: petticoats and corsets, multi-layered bodices with long sleeves and high collars, heavy skirts that swept down to the floors. Women couldn’t even get a break at the beach, where they had to wear woolen stockings even to dip a toe in the water.

Fierce fashion from 19th century Puerto Rico | National Museum of ...

(Smithsonian)

Theresa’s Mary Walker (1832-1919) wore men’s clothing because of its comfort and appropriateness for her work as a doctor. In her time, women could be arrested for wearing men’s clothing, yet she persisted!

From the same time period, I write about Frances Willard (1839-1898), a suffragist and president of the Women’s Christian Temperance Union. Hearing these credentials, you might think she was a battle-axe with strict rules for women’s lives. In fact, she was one of the most relaxed and relatable suffragists I encountered.

Frances Willard at 23

(Willard at 23, FrancesWillardHouse.org)

In her memoir, Frances Willard despairs over her 16th birthday — the day she calls her martyrdom. On that day, she had to abandon her child’s loose dresses and sturdy shoes and adopt the attire of a woman. To the petticoats, corsets and long skirts, she had to add ribboned bonnets and gloves. She had to grow out and pin up her hair — it took eighteen hairpins, she tells us.

Frances bemoans the restrictions that clothing imposed on women. She lists the articles of clothing women had to don just to go for a walk — a list so onerous that women rarely bothered. Some suffragists did try the so-called “bloomer costume,” a short dress worn over loose trousers, but they were so relentlessly ridiculed that they gave it up, fearing the controversy would hurt the suffrage cause.

Kean Collection / Getty Images

(Kean Collection)

Frances not only wanted freedom of movement, but also educational and financial freedom. “Girls should definitely be set at work after their school days end, even as boys are, to learn some bread-winning employment that will give them an independent status,” she wrote. She knew that dress reform would enable women to move comfortably in a world that until then had been organized around men.

Even when talking about the vote, Frances’s thoughts went to clothing. If women had the vote, she opined, they could enter politics as men did, “clad in the garments of power!”

Willard in the 1890s

(Willard in the 1890s, FrancesWillardHouse,org)

In her 50s, Frances learned how to ride a bicycle, an activity that was thought unseemly and unhealthy for women. On a bike, she could shed some of her hated clothing and whiz through the world as never before. She wrote a book about her experience, A Wheel Within a Wheel, that became a bestseller. Clearly, many women wanted freedoms that had long been denied them.

Frances Willard riding her bicycle, Gladys

(Willard on her bicycle, Gladys; FrancesWillardHouse.org)

Now back to Dr. Mary Walker. She persisted in wearing men’s clothing, even clapping top hats on her head. Unfortunately, suffragists weren’t happy about her choices, again fearing that their cause would be hurt by the outliers. Victoria Woodhull came under the same censure — her bohemian dress and unrestrained lifestyle caused a huge rift in the suffrage movement.

But as you follow the suffrage cause into the 1900s, you see hemlines inching upward. Petticoats  and corsets disappear — at least on the younger generation — dresses become loose and flowing, and feet are shod in more comfortable shoes that allowed women to march in suffrage parades and protests. Women, and therefore their causes, became visible to the world.

So you see, clothing was more than a matter of fashion — it was no less a matter than women claiming their place in the public and political life of our country.

Thanks to Nancy for this insight on fashion and suffrage. You can find out more about Nancy and her work on her website.

Women’s History Month 2020

This year’s Women’s History Month theme marks the 100th anniversary of the ratification of the 19th Amendment.

valiant women

It’s also known as the women’s suffrage amendment, but every time I describe it that way, I like to clarify that though the amendment was supposed to apply to women–as in all adult women–in reality, racial discrimination prevented most women of color from voting. Many early histories of the women’s suffrage movement sideline these racial issues, barely acknowledging the contributions, for example, of African American women in cultivating support for the amendment.

Historian Cathleen Cahill has a book coming out this fall called Recasting the Vote: How Women of Color Transformed the Suffrage Movement. According to the book description: “It is a collective biography of six suffragists–Yankton Dakota Sioux author and activist Gertrude Bonnin (Zitkala-Ša); Wisconsin Oneida writer Laura Cornelius Kellogg; Turtle Mountain Chippewa and French lawyer Marie Bottineau Baldwin; African American poet and clubwoman Carrie Williams Clifford; Mabel Ping Hau Lee, the first Chinese woman in the United States to earn her PhD ; and New Mexican Hispana politician and writer Nina Otero Warren–both before and after the ratification of the Nineteenth Amendment.” This looks fascinating.

While you wait for Cahill’s book, consider picking up a copy of Rosalyn Terborg-Penn’s classic African American Women in the Struggle for the Vote, 1850-1920.

Image result for rosalyn terborg-penn african american women and the struggle to vote

You’ll meet lots of great women in this book, too, and won’t soon forget them.

 

The Writing Life

As a writer, I spend lots of time researching, writing, and telling people that I’m researching and writing.

c20da-grace2ba692(author Grace Metalious, not me)

After a very long time, usually years, I have something to show for it in the form of a book. This time, though, I did not take a long time. I was skeptical that I could research and write quickly, but I did. I’m retired. I’m not in the classroom or grading papers nine months out of the year. So what else am I going to do?

Coming in June 2020 is Dr. Mary Walker’s Civil War. (Just click on the link if you want to preorder.) Beginning this November with the anniversary of Walker’s birth, I’ll be posting snippets of her life and times.

 

 

A Star is Born and the Promise of 1970s Feminism

In December 1976, Warner Brothers released the third film version of A Star is Born. This time the story was set in the world of rock music instead of Hollywood. The movie starred Kris Kristofferson as John Norman Howard, the rocker headed for a flame-out and Barbra Streisand as Esther Hoffman, the struggling songstress on her way up. Ahead of yet another music-industry based version due out later this year with Bradley Cooper and Lady Gaga, the 1976 film is now streaming on Netflix.

AStarisBorn1976.jpg

The movie itself didn’t receive much critical acclaim when it was released. Roger Ebert gave it a reluctant two-and-a-half star review. He didn’t buy–not for a single minute–Streisand as a struggling singer, but he loved her voice. Movie-goers flocked to see it, though. A Star is Born grossed $80 million at the box office, which made it the third highest earner of 1976. The movie’s theme song, “Evergreen,” topped the pop charts, and won an Oscar for best original song.

I watched the movie last night on Netflix, probably the first time I’ve seen it in 20 or 30 years. I saw the movie in the theater at least once when it came out, maybe more. I bought a cassette of the soundtrack, and I still have it (and play it). I’ve probably seen the movie on video, too.

I’ve never been sure why I like the movie so much. I’d never been a huge fan of the music of Kristofferson or Streisand. I think it has much more to do with that particular time–the mid-1970s–and the movie roles Streisand chose. I’d enjoyed her foray into screwball comedies with What’s Up, Doc? and For Pete’s Sake. (Of course, there was The Way We Were, but I found the heavy drama annoying.) I liked Streisand’s quirky characters, the strong women who knew their own minds.

As Esther Hoffman in A Star is Born, Barbra Streisand portrayed a very modern woman, talented and driven, who assumed she could have both a great career and a satisfying personal life. She didn’t intend to compromise on either. The best thing: she was totally confident in her abilities. She knew who she was, with or without John Norman Howard.

Esther Hoffman personified the goals of 1970s feminism. During that decade, gender equality seemed achievable. The National Organization for Women, founded in 1966, provided support for challenging legal inequalities. Women’s liberation groups offered consciousness raising and other tools for addressing more personal concerns. And after decades of languishing in various congressional committees, the Equal Rights Amendment finally passed through both houses of Congress and was sent on to the states for ratification in 1972. By 1977, the year after A Star is Born was released, 35 of the required 38 states ratified it.

Image result for era ratification 1977

In the first musical number featuring Streisand in A Star is Born, she sang “Queen Bee,” a song that blatantly trumpets women’s sexual desire as it calls for new ways of looking at women. And it includes some pretty great lines:

The queen bee, no way, and even tho’ they think they’re the kings
(escatological things)
Who are they foolin’? Playin’ at rulin’
It’s the queen behind the scene who pulls the strings
So, in conclusion, it’s an optical illusion
If you think that we’re the weaker race
Men got the muscle, but the ladies got the hustle
And the truth is staring in your face.

And tucked in near the end:  “Write me a sequel; Give me an equal.”

The feminist/equality theme of the movie continued with Streisand’s next big number, “The Woman in the Moon.”

Those opening lines:

I was warned as a child of thirteen
Not to act too strong
Try to look like you belong but don’t push girl
Save your time and trouble
Don’t misbehave
I was raised in a “no you don’t world”
Overrun with rules
Memorize your lines and move as directed

And notice Streisand’s wardrobe choice for that scene. The suit. The power suit. As more and more women headed into careers in the 1970s and 1980s, suits were their work uniforms of choice, signalling their insistence on an equal footing with men in the workplace.

What A Star is Born signals to me, then, is all the promise of 1970s feminism. It was a heady time of possibilities for women, with gender equality within reach. I’m reminded of that each time I watch the movie, every time I hear one of its songs (well, maybe except for “Evergreen,” which quickly turns into an ear worm).

And the movie’s ending is a stark reminder that big change doesn’t come easily. There are setbacks and tragedies. But maybe, in the end, “they can hold back the tide, but they can never hold the woman in the moon.”